Back a few years ago I was
reading, The
Artist's Way by Julia
Cameron. The author talks about shadow artists. According to Cameron,
"Too intimidated to become artists themselves, very often too low in self-worth to even recognize that they have an artistic dream, these people become shadow artists instead."
She states that often these folks go into advertising, art education, law or even medicine because, "Art won't pay the electric bill." She continues by stating that many of these "shadow" artists are frustrated with their career choices and would rather be artists.
Of course, Cameron would
label me a shadow artist. That's because I was in advertising for 25 years and
I've taught drawing and painting for 10 years. To be perfectly honest, I never regretted
either decision. Maybe it's because throughout my life, I've spent most of my
free time creating some form of art. I always thought I had the best of both
worlds.
Many artists have had to follow
the same path to make ends meet. It's just a reality of life. We're all in the
same boat (unless we have a wealthy family or patron), and we do our best. One
artist in particular followed the "shadow" way, earning a living whatever way he could. But all along, he also created his own art and in my opinion, was one of the best in the
20th century.
I'm talking about
the Belgian Surrealist, Rene Magritte (1898-1967). He was a graphic
designer, a theater set designer, owner of an ad agency with his
brother and even a visual forger. Eventually, he became a major player in modern
art, influencing pop art, minimalism and conceptual art. The name may not ring a
bell, but his artwork will (see below).
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| Son of Man 1964 |
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| Golconda 1953 |
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| Decalcomania 1966 |
What's most interesting about Magritte is his transformation. He went from very abstract to being an artist of reality vs. illusion. He liked to repeat themes over and over again as well as attempt new methods. I simply love looking at his paintings and collages. They are all delightful.
When you look back through his early works, you can see that he was heavily influenced by Cubism and Futurism, early 20th century art that placed traditional art upside down (sometimes literally). Here are some of his early works dating from 1919 to 1924. Notice the Cubism influence.
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| Nude 1919 |
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| Landscape 1920 |
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| Model 1922 |
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| The Window 1925 |
Nocturn, 1925
In 1925, Magritte also created what he considered his first Surrealistic piece, The Lost Jockey (Le Jockey Perdu). He repeats this theme several times, including in 1925 as a collage and then again in 1926 in gouache on paper (see below).
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| The Lost Jockey--collage 1925 |
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| The Lost Jockey--gouache on paper 1926
Fortunately for Magritte, he was able to secure a contract with Galerie 'Le Centaure' in Brussels from 1926 to 1929, which gave him the income he needed and the opportunity to live in Paris for three years with other Surrealists. But once the gallery closed its doors, he was back in Brussels by 1930. He returned to advertising and even opened up his own agency with his brother--both of them were able to earn a living wage. Hooray!
He continued to develop his style and enjoyed his first exhibit in New York at the Julien Levy Gallery in 1936 and in London in 1938. Here are some of his most interesting works:
Magritte used the clothed face theme several times. Some believe it was related to his mother's suicide during his youth, but there is no proof of that.
 The Treachery of Images, 1928-29
The title on the painting is "This is not a pipe." Many people were confused, so here's Magritte's response:
"The famous pipe.
How people reproached me for it! And yet, could you stuff my pipe?
No, it's just a representation, is it not?
So if I had written on my picture
'This is a pipe', I'd have been lying!"
Look closely, is this a painting of a painting in front of a window? Yes, it is! So cool!
The Human Condition (Painting Two 1933)
Again a painting of a painting in front of a door? One of my favorites.
During the German occupation and after the war, Magritte delved into different periods, one was his Renoir period, where he created colorful paintings, and his second in 1948 called his Vache period, where he painted similarly to Fauvists. I like his Renoir period the best. Notice the ballerina below on the fiddler's lap. Every one of his paintings reminds you to look closer than normal.
 
Le Stropiat 1948
After the war, times were hard on everyone, and it is said that Magritte and his brother engaged in creating some forgeries, including works by Picasso, Braques and Chirico, as well as the printing of forged banknotes. Hmmm. I wonder what "shadow" he was working under then?
By the time the 1950s came along, life was better, and we see the modern day Magritte come alive. This is when his work became popular up to and throughout the 60s. Unfortunately, he died in 1967 of cancer at only 68 after producing over 1,000 paintings (an amazing shadow artist if you ask me). The following paintings were done in those last couple of decades and are definitely some of my favorites. I was truly fascinated by his work as a child.
The Empire of Lights 1950-54
The above theme is repeated again and again by Magritte. Notice the sky is daylight and the house is set at night I truly appreciate the contrast and love the creative touch.
Waterfall 1961
Lost Jockey III, 1962
When the Hour Strikes, 1964-65
Evening Falls II, 1964
The Blank Signature, 1965
Empire of Lights (unfinished), 1967
(was still on the easel when Magritte died)
I hope you enjoyed this visual journey of Rene Magritte's work. I sure love to revisited his stuff over and over again. If you want more information on this artist, you can go to Mattesonart, where there is a complete and thorough biography.
What's Coming Up!
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September 9-16
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May 8-15
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