Thursday, October 13, 2022

October 2022: Beatrix Potter & Lake District

Correction to original article. Classes begin in October, not September. Please see announcement after the article.

Beatrix Potter (born Helen Beatrix in 1866) was mostly known for her delightful stories of Peter Rabbit. That's really the only knowledge I had. Well, maybe I had heard she lived in the Lake District, a beautiful part of England. But that was all. Then the movie
Miss Potter came out. I was enchanted by her determination and grit. While in real life she certainly had those qualities. There's so much more to tell.

For instance, if it hadn't been for the all-male board of The Linnean Society of London, we probably wouldn't have heard of Peter Rabbit and possibly Beatrix Potter. The story goes that she had a passion for bontany, especially mushrooms or fungi (mycology). Employed by the Royal Botanical Garden in Kew, London, Beatrix must have been in heaven because the garden is still considered to have the best mycological collection in the world. In fact, she was so fascinated by mycology she penned her own scientific paper called On the Germination of the Spores of Agaricaceae by Helen B. Potter in 1897. It was presented to the Linnean Society.

Some say that the paper was rejected because she was a woman, but on further study, I've learned that her paper was indeed read (not by her, woman weren't allowed to do that until 1905). She withdrew the paper herself after it was read and discussed. Who knows why, but it appears she
redirected her attention to the little stories and illustrations that she sent in letters to her nanny's  children. In the end, a friend suggested Beatrix put these stories in book form. One such picture letter is below, where she writes in 1893 to Noel Moore:

"I don't know what to write about so I shall tell you a story of 4 little rabbits, whose names were Flopsy, Mopsy, Cottontail and Peter." 


First addition of Peter Rabbit
Interestingly, but not a surprising, six publishing houses rejected her book. She therefore self-published it in 1901. Publisher Frederick Warner & Company saw the book and offered Beatrix a contract, publishing the book in 1902. It was a smashing hit; so much so, she was the first to merchandise a book with a stuff rabbit.

Of course, Beatrix's background is filled with a love for drawing and painting. Both she and brother, Bertrand, had isolated childhoods, schooled mostly by nannies and tutors. They spent much of their free time exploring nature. On holidays (vacations), they would go to the Lake District or Scotland. They had a deep appreciation of animals (having lots of pets) and nature.

While the whole family was artistic, Beatrix started illustrating traditional rhymes and stories, such as Cinderella, Sleeping Beauty and Puss in the Boots. Just like all of us, she had to practice, practice, practice.

Loved pierced her heart with Norman Warne, who she worked closely with her at the publishing house. In one of Norman's letters, he proposed. Beatrix's parents disapproved because he was a tradesman and she an upper-class woman. Both exchanged rings anyway. Within a month though, he was gone with pernicious anemia. She wore his ring on the right hand until she died.

In total, Beatrix wrote 60 books, 23 of which were children's stories. In 1905 she bought Hill Top Farm at Near Sawrey, a village in the Lake District. She married William Heelis in 1913, who was a solicitor. She was 47 and he was 42. Both she and William became involved in preserving the land within the Lake District and became rather good at farming. 

I have grown to love Beatrix Potter's work. Her mycological work is exquisite. Here are a few examples:

Then there are her sketches: 

Study of mice and a 

And her lovely characters

Beatrix Potter died of pneumonia in 1943. 

Would you be interested in seeing more of Beatrix's work first-hand?

That's possible! We are planning a sketching trip to the Lake District next September 3-10, 2023, which will include a tour of the Derwent Pencil Factory, Beatrix Potter's home and a short trip to Scotland. Not all the details are settled yet, but if you're interested let me know.  I'll need at least ten people to make it a reality. I'll try to keep the workshop cost at $600, excluding lodging, food, transportation. 

What's coming up?

Correction to original announcement. Classes are not in September but in October.

Thursday, September 1, 2022

Fall 2022 Newsletter: daily art

Result: It was fun!

Back in early July I began a project, drawing or painting everyday. I stopped mid-August when my brother died. Then, everything was put aside. But I'm here to say that I put in a good month and I learned a lot.

From the start it was hard. Even though I was just beginning, it was difficult to develop a daily discipline. Up until then, I looked upon my work as a casual process, doing stuff when I was in the mood. There was no such luxury on a daily basis. 

Over time though, I started to enjoy my "art time." It usually lasted for a couple of hours and in the meantime, everything was dropped. It actually became my "me time." Whatever I would normally do with those two hours was now devoted to me and my art. 

To keep things interesting, I tried a lot of subjects and a lot of different media. After teaching for over 15 years in person and suppling most of the materials, I have a large inventory here (although I gave away a massive amount to the local high school). So I have lots of choices from ink and watercolor to colored pencil and oil/soft pastel. 

One important thing I learned from the outset was that I had to except that I would create some mediocre--common, everyday--art. I didn't expect to create an outstanding piece every day, but I would produce. This acceptance gave me license to just create. It was liberating.

Below you are going to see some pieces I did. Some are not so great; some I'm feeling good about. I certainly would recommend this process to everyone. It's a creative learning experience, super fun and challenging. I'll probably pick up the daily practice again soon.


Just a note here, Fall classes are beginning again, so check out the listing at the end of this blog. I hope you can attend. We'll be covering domestic animals for the first five weeks and then wild animals for the last five weeks--using a variety of art media. We meet on Tuesday or Wednesday mornings from 10 a.m. to 12:30 p.m. And it's only $90 per session (not per class, but for each five week session). Come join us, it's a fun group.


All listed below  © 2022 Jill Jeffers Goodell 

Quick online travel sketch
Cinque Terra, Italy; ink and watercolor
Lighthouse in oil pastel
Flamingo, oil pastel
Rabbit, soft pastel
Lily, soft pastel
Pencil sketches
Rabbit II, black and white charcoal
Goats, soft pastel (1), charcoal (2)
Peppers, oil pastel
Peppers II, pen
Pencil sketches of pigs
Pencil sketch of pelican

From Helen Carliss photo, Italy, oil pastel

That's it, a sampling of my summer work. It is a good project and a great way to keep up your skills. Try it yourself!