The Daily Draw
Years ago, I read the book, “Outliers” by Malcolm Gladwell. He talked about the 10,000 Hour Rule, which means to become an expert in your field, you must put in at least 10,000 hours of “deliberate practicing.” I’ve also read that 10 years of experience is the golden marker. That’s interesting because most of the Renaissance greats (Michelangelo, da Vinci, Raphael), all studied under a master for that length of time before setting out on their own.
10,000 hours is a long time!
Does this mean you have to put in 10,000 hours or 400 days (working round the clock) to get better at drawing? My first inclination is to say no, of course not. But I can tell you from my own experience, the more practice you put into drawing, the better you will get. For example, I’ve been drawing daily since the year 2000. While I was trained on the commercial side, my fine art skills sucked. Thus, I had to go back to the basics 20 years ago.
My work was pitiful. I was lucky to be in England that summer and I picked up the book, The Right Way to Draw by Mark Linley. He subsequently went on to write several books on drawing, and they now appear in a compilation, entitled How to Draw Anything. The book is sort of old-fashioned. The paper is like old pulp fiction books and illustrations are nothing like the glossy stuff you’ll find on the shelves today. But contrary to a lot of publications, Linley offers a narrative; he tells a story about drawing. In the end, it got me started. And that’s the point. Today, I have loads of books on drawing and every one of them has taught me a new technique. As a matter of fact, when I returned from England, I took out as many library books on drawing as I could, just to learn more.
Practice makes perfect (?)
There’s an old joke that describes a man asking another for directions, “How do you get to Carnegie Hall? The other man said, “ Practice, practice and practice.” Am I getting repetitive here? There’s a reason for that. You just can’t get better at anything unless you get experience. A person usually can’t just pop on the tennis court and win a tournament. We all need lessons (tutoring) and practice, even the greatest can attest to that.
And the best way to get practice is to draw daily. But you say you don’t have the time. Yes, you do! You must have 15 to 30 minutes a day you can carve out of your busy schedule to put pencil to paper. In the beginning you don’t have to be elaborate. Just look for shapes and build on that. I’ve shown you how in my classes and workshops.
But let’s review. Always look for the shape(s) in an object. Is there a square, a circle, triangle or combination of all three? As I’ve said repeatedly, you only need to concentrate on three lines (straight, curved and angles) and three shapes (rectangle, circle and triangle)
For instance let’s take the simple pear. It’s really only two circles and a curved line. Don’t believe me? Then, let’s try:
See, it’s that simple. Let’s try another.The above construction is based on a triangle and a circle with angled and curved lines. My intention here is to show you that when drawing, you have three concepts: line, shape and form (consisting of light and shadow). Of course both drawings need further development to be complete, but I hope you get the idea. On my YouTube channel, you can find a detailed example of how to make a circle into a sphere (including the supplies to use).
(BTW, as for perfection, I like what Michael J Fox says, "That's God's job." Trying to be perfect has usually been a stumbling block for me--more stress, less creativity.)
Cartooning gave me a start
Back when I was about nine years old, my aunt, who was a hat designer, gave me a great book on cartooning. I loved that book and to this day, I still have the drawings. It’s a great book called, Animation by Preston Blair. Inside are pages upon pages of how to draw animated characters. Blair worked for Disney and MGM. Below is the cover and one of the pages in the book. You can also find a digital copy online at this link.
My only regret is that I didn’t pursue cartooning. I thoroughly enjoy it but life got in the way (school, soft ball, swimming, glee club, family obligations, etc.). I didn’t have me, the adult, to push me further. I’ve learned my lesson. Not only does drawing give me a sanctuary from all the news and upheaval we are experiencing, it also gives me a sense of pride and purpose. Now I do the Daily Draw!
So of course, as I have finished most posts during our era of COVID, here is another list of what you can draw every day for the next month:
Fruits, vegetables, nuts
You can find all these subjects on Pixabay (wonderful free photos site). Try drawing every day with just pencil and paper. You don’t need anything fancy.
- Buttercup squash
- Green acorn squash
- Orange (cut in half; cut in quarters or peeled)
- Tangerine (ditto)
- Bunch of grapes
- Carrots with leaves attached
- Peppers (small and large)
- Green beans
- Beets with leaves
- Corn on the cob
- Onions with roots (maybe)
- Hazel nuts
What’s coming up later this Fall?
Tuesday mornings: November 3 to December 1
Wednesday mornings: November 4 to December 2
10 a.m. - 12:30 p.m.
$90 per five-week session
•Leaves • Autumn fruit • Spiders • Cornucopia • Winter Holiday
Pencil, pen, colored pencils,
watercolor (paint/pencil) and gouache
Supply list provided upon registration
To register, email: firstname.lastname@example.org