Thursday, March 25, 2021

March 2021 Newsletter

 Giving up!

I created a slogan for my business years ago that helps me overcome my worst days.

Don’t be afraid to make bad art. Be more afraid of never creating any art at all.

When times get tough, it’s really easy to drop the pencil or brush and walk away. That’s okay if it is just to give yourself a break; it’s not okay if you plan on walking away for good.

Back when I was teaching beginning drawing classes at Portland Community College, my first exercise called for every student to take a piece of paper from their sketchbook, crumple it up and throw it across the room (even at me!). Then, I’d say, “Good. You’ve done it. You’ve thrown your first piece of paper away. Now you can start again.”

Obviously I was trying to show my students that it’s okay to get to a point where you need to move on and begin looking at your project with a new eye. Is that quitting? Not at all. Notice I didn’t say walk away for good or give up. I emphasized staying with the subject, but trying something new.

 Thomas Edison
“Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.”

Thomas Edison was an amazing inventor. He refused to succumb to failure. Instead he viewed his attempts not as failures but just learning what doesn’t work. As he said, “I have not failed. I’ve just found 10,000 ways that won’t work.” It’s attitude. In the creative process so many of us think we are a failure if we give up on a project. Not so, in fact, I believe it may help you. Why hit your head against a wall and get the same result. Of course, I’m not suggesting that when it gets hard, we should just give up. Instead I think we should first try all sorts of things.
 
Walk Away
First walk away, take a breather. There’s nothing like a break. Go for a walk, call a friend. One artist I read tells us to go wash dishes. The warmth and monotony of the process may help to nudge things along.

I’m a strong proponent of putting projects away. As a copywriter in my previous life, I had to write copy under extremely short deadlines. Sometimes it seemed I’d never make it or what I was writing was sheer hogwash (sometimes it probably was). That’s when I’d put the piece in a drawer. Yes, I’d even print it out and physically set it aside. Why? I needed to step away from the problem. The same goes for any difficulty.  Sometimes you just need a new perspective, a new way of approaching what’s in front of you. Giving yourself some space helps you “noodle” around in your thoughts.

Fear
Fear is often a stumbling block. What’s holding you back? We all want perfection in an imperfect world. There’s that nasty internal critic who’s saying you can’t do it or you’re not really an artist. Let me tell you here and now, perfection is over-rated in art. I believe that art should not be imitation but interpretation. Unless you are doing commission work, your art is you.

I remember the scene in the movie Modigliani when Andy Garcia’s character is being criticized for the
portrait he is painting. It’s actually sort of silly because the patron should have known his style. As someone who is committed to his own work, he simply continues. Yes Amedeo Modigliani (1884-1920) created
unusual portraits, but what magic. If he had listened to his critics, we would not have his magnificent work. In other words, trust your gut. Stop if you must, but be true to your interpretations—even break some boundaries.(Right: Blue Eyes, 1917).
 
Do something else

James A. Michener
“Character consists of what you do on the third and fourth tries.”

Another consideration is doing some drawing exercises to loosen you up. How about taking your subject and drawing it and then redrawing it at three-minute intervals. It’s amazing what you will discover each time you encounter the process.

A while ago, I was planning a class. I had already promised a subject that I found to be rather difficult—to teach and to accomplish. I was in the middle of a quandary. What should I do? Tell my students I couldn’t teach the subject because it was too hard for me? Nah, that wouldn’t work. So I spent hours trying to conquer it. No luck. I figured the only thing I could do was set it aside, try a new approach. I did.

A day later I came back to the project and just started drawing, drawing and drawing. Yes, the first two or three drawings were crap, awful. I persevered and kept drawing in short spurts. Guess what, the more I did, the better I got and eventually was able to teach the process. It worked.

Hang it up for now or throw it away
I have absolutely no problem with throwing away my work that I’m not happy with it. Yes, I have spent, perhaps hours on the piece. Even so, it hasn’t been time wasted. I’ve learned what to do, what not to do. It’s more the journey than the task. But I’m also big on revisiting my work. So for now, perhaps I’ll put it away and look at it months from now. If I still dislike it, then maybe it’s time to move on.

Whatever the case, give yourself permission to carve another path in your artwork, but also it never hurts to persevere just to see what happens.

What’s coming up ?
 Online Spring Classes

Tuesday mornings: April 6-May 4
Wednesday mornings: April 7-May 5
10 a.m. - 12:30 p.m.
$90 per five-week session

Subject: Spring Flowers

Media 
Pencil, Pen, Colored/Watercolor Pencils
Supply list provided upon registration
To register, email: jjgoodell@gmail.com

Monday, February 8, 2021

February 2021 Newsletter

What's age got to do with it?

Grandma Moses

I started my advertising and public relations career at 18 years old. I attended college in the mornings and worked part-time in an ad department for a supermarket. My dad got me the job. I was rather lucky. How many kids get that type of opportunity so young? It was a good fit as I’d always been creative. So I learned the ropes from the bottom (believe me, the very bottom) and learned my future craft. 

Anna at 15

I'd say it was a good career for me. However, the best part of my life is right now. Painting, drawing, writing and teaching. I love it. I am definitely the person I should have always been. I’m just grateful I didn’t have to wait until I was 76 years old, like Anna Mary Robertson Moses, aka Grandma Moses. But hey, it’s never too late.

Aging is an extraordinary process
where you become the person
you always should have been. David Bowie

A late-bloomer who just liked to paint.
Born a year before the Civil War began in upper state New York, Anna came from modest means. She was the third child of 10, and at age 12 left home to work as a hired girl in a nearby farm for 15 years. At 27, she married Thomas Salmon Moses, both relocating to Shenandoah Valley in Virginia. They had 10 children, five that survived. In 1905 she returned to New York. 

Okay, enough of the dates and stats. Now for the interesting part of her story.  Anna had always dabbled in art. As a young girl she would use lemons and grapes to color her pictures. She usually drew from memory and used only the materials at hand such as house paint. To pass the time away, she embroidered, until her arthritis was so bad, she had to stop. That’s when her sister, Celestia suggested that she start to paint. That was the beginning of a whole new world for Anna, although she just considered it something to do.

Painting's not important.
The important
  thing is keeping busy. Grandma Moses

Be it raising cows or children, embroidery, painting, Anna wanted to keep busy. She wasn’t career-minded. She was simply living a life that was enriched by her painting. By the way, she did enter her paintings, along with baked good and preserves, at the county fair. But only won prizes for her food. The paintings were ignored.

Sugaring Off 1943
Hanging your work in a drug store can work.
Then, Anna happened to hang her pictures in a nearby drug store, 
which was common even when I was a kid. I remember local artists’ works hanging in the post office and several coffee shops. I always wondered if anyone ever bought them. 

In Anna's case, it worked. One day an art collector, Louis Caldor, walked past the store, noticing the paintings in the window. He went inside and bought all of them, which were going for $3-$5 each.

Within one year, she was exhibiting at the Metropolitan Museum of Modern Art in the show ”Contemporary Unknown American Painters.” Eventually, she became so popular that her future exhibits drew record-breaking crowds. Anna’s work was often used to promote the holidays in the 40s and 50s. In 1947, Hallmark sold 16 million cards with her art splashed on the front covers.

Speaking of covers, Anna also appeared on the front cover of Time magazine when she was 93 and received two honorary doctorate degrees. Those $3-5 paintings are now selling in the millions. In particular, her Sugaring Off painting was sold in 2006 for $1.2 million. Not bad for someone who couldn’t even sell one picture at a county fair. Even the post office got into the act with one of her paintings.

Age doesn’t matter.
So what does this tell me? Of course, we’re never too old to start something new.  Age is only in our minds. I met a woman once who told me she was too old to learn something new. She was 52. I thought that was incredulous thinking. Today, I suspect it’s more societal thinking. We are obsessed with youth to a point where we think only the young can create fresh new ideas. That’s simply bunk. Perhaps this thought process comes from the glorification of the high tech industry that is famous for young entrepreneurs starting companies (i.e., Bill Gates at 23 and  Steve Jobs at 21).

In fact when I was researching for this article, I searched under “late bloomers.” I was rather surprised to see that many people were listed as young as 32 to 41. What? If these folks are considered late bloomers then no wonder someone would think 52 is too old to learn. In all fairness, there were a lot of people I found who are above 60, but many were listed in their 40s.

Here’s a short list for the 60+:

  • Daniel Defoe wrote Robinson Crusoe at 60.
  • Harlan Sanders started KFC at 65.
  • Laura Ingalls Wilder was 65 when her first book was published.
  • Harry Bernstein was 93 when he wrote The Invisible Wall: A love story that broke barriers (he went on to write another book a few years later).
  • Dr. Peter Mark Roget began writing his Thesaurus at 69, published  it at 73 and continued to work on it until 90.
  • Noah Webster finished his dictionary at 70.
  • Ben Franklin signed the Declaration of Independence at 70 and then the Constitution at 81 (and that was in the 1700s!).
  • Nancy Pelosi became the first female Speaker of the House at 67. Today she is 81. 
You are never too old to set
another goal or
to dream a new dream
.
 CS Lewis

Yes, I agree, no matter what age you are, you can learn something new or set a new goal for yourself. I have students who are in their twenties all the way up to their eighties. If I see any difference between the young and the “old,” it is that the latter is more conscientious, more deliberate, more open to learning new ways.

So my point—don’t let age stop you from being the person who ought to be. Grab your passion and run with it as long as you can! 

Getting older is an adventure,
not a problem. Betty Freidman


An interesting fact about Grand Moses
When her arthritis got worse in her right hand, 
she taught herself how to paint with left. 
Now that's tenacity!